Google Earth helps me prepare for my own death
I live in a strange and shabby stretch of north Oakland. I’m not far from a BART station, an over-priced coffee shop with poor feng shui, a decent Peruvian restaurant and a bar that would be pretty okay if the proprietors would just turn down the lights and maybe get some new booths. But the neighborhood feature I’m most concerned about isn’t blight or gentrification or all the burnt out passive aggressive hippies, it’s an immense and ancient rift in the earth’s crust that’s slowly pulling this section of California in the general direction of Japan.

Westward across the bay, the San Andreas Fault gets all the press, but any self-respecting Cassandra knows that it’s the Hayward Fault, which runs north-south along the bottom of the Berkeley Hills, wherein the doom of the Bay Area lies. The last major quakes on the Hayward fault were in 1836 and 1868, as opposed to the San Andreas’ 1906 quake and the 1989 Loma Prieta shaker. In high school, we learn that the plates that make up the earth’s crust move about an inch a year. That may be true in some places, but here at the Hayward Fault we have what’s called strike/slip motion, meaning it builds up pressure and then “slips,” making up for the 150 odd years it’s been sitting put. Meaning that once the quake hits, local photographers will be pondering their Pulitzer acceptance speeches as they document the Worst Disaster in American History.
This has all been brought home to me of late by that greatest of time-wasters, Google Earth. The United States Geologic Survey, perhaps tired of being ignored by the eager beavers of this thriving NorCal economic sector, despite the fact that they’ve released figures predicting a 67% chance of a major quake along the Hayward fault before 2020, have put together a nifty little Google Earth helicopter tour of the fault. Now, East Bay residents can see how close their homesteads lie to this giant grinding crack in the world. This is kind of like if the citizens of Pompeii had vases graphically illustrating their eventual sudden mummification by boiling ash.
So why, oh why do I live here? In John McPhee’s excellent book, The Annals of the Former World, he quotes several geologists discussing a human emotional condition known as “the principle of least astonishment.” Here’s McPhee quoting Eldridge Moores: “People look upon the natural world as if all the motions of the past had set the stage for us and were now frozen. They look out on a scene like this and think, it was all made for us—even if the San Andreas Fault is at their feet. To imagine that the turmoil is in the past and somehow we are now in a more stable time seems to be a psychological need.”
So there. See you on the other side.
The previously blogged John Kricfalusi, creator of Ren and Stimpy, and Katie Rice, cartoonist of the finest order have just announced their new line of cartoon t-shirts and undergarments! Check out their new cafepress.com store, HAPPYTIME.
Have you seen/heard of any/all of these electro/disco/house/noise/punk/Art/nintendo/acid/bands coming out of texas???
http://www.awthum.com/
Holy shit it’s like they stole the semen off my kleenex and stuffed it into some magical forest hippie chick’s wombs and had babies. Then incubated and raised
said children on awesome 80′s cartoons/pop culture, old school nintendo and psych/electro/techno/folk music then sent them to art school….WTF????
Either they’re making mad hallucinogenics pumping it through the water in playgrounds out there or the public magnet art high schools are stealing children from the future…regardless I still think it’s pretty rad on the lo-fi paper rad-fort thunder-ish tip…
http://www.myspace.com/youaretheuniverse
WTF is this for real?
http://www.mothersagainstnoise.us/
March 19, 2006 – 12:10 pm

I haven’t seen much of the talented Mister Zachary Baldus since he began his wide, Odysseian wanderings across the globe a few years back, but I keep up with him through frequent trips to his website, which is chock full samples from his professional and personal portfolios. Zach has recently redesigned, retrofitted and rejiggered his site. There’s plenty of new work to look at, as well as old favorites. If you’re looking for inspiration or hoping to hire a top-notch illustrator, check it bra .
Marko from boonika writes to let us know about his artist community: “Boonika’s mission is to support talented artists & designers and art communities. First of all, artists & designers (full members only) can add news about their work on our home page when ever they feel like it and use their gallery as well. Some kind of “free of charge” PR for them. They can also participate in all other projects that Boonika prepares in the future (on-line exhibitions, “Bearhunter” on-line Magazine…). There are no obligations for anyone.” SOUNDS AWESOME. And just today, our own Meathaus pal Stephen Gilpin is featured in their latest news.
More about the Boonika Project.
Above drawings are by Fumi Minnie Nakamura.
Mu and I made this St. Patricks game for Gem Studio. A now defunct storyboard house we worked at with Tom Herpich a couple years ago. -Jim
London’s Foyles book store now carries a whole shelf’s worth of Meathaus and Meathaus related books. “The World’s Most Famous bookshop” is in London’s SOHO. Meathaus master Tomer Hanuka has been in personally to inspect the goods and he reports back that he was met with friendly faces and a welcoming book store. Get into it!
March 12, 2006 – 10:08 am
Long time student and producer of fine animation, Stephen Worth is currently heading up the creation of a massive project to digitally archive animation and related cartoons and illustration materials for the benefit of you and I and the people of the future. There are several things to understand about this: 1) He is putting all of the materials online in what will be a massive free resource for students, teachers, historians and fans alike. 2) The A.H.A.A. project is always looking for volunteers who can physically come to the building and help scan and organize material with Steve and also internet volunteers who can edit the database of animators biographical information or contribute their own high quality scans of important material. Or of course send buckets of cash. Checkitout.
Or if you prefer hotdogs, or other vintage items you may prefer Steve’s other two blogs, Hot Dog Spot or Vintage Tips.
Last summer I did the end credit drawings for Sean Bloch’s color 16mm short film “The Milky Way”. The short is about a boy who draws the women his single father brings home.
During the end credits it shows a lot of his previous drawings, charting his progression over the years. The goal being to show a wide variey of different women, some with traits that the boy would single out (The girl with the jewelry, with the veins in her arms, etc..) It ends with the drawing done during the movie.
I tried to show a progression, moving from black and white to color, and an interesting “filmic” sequence, since the drawings “replace” each other during the cuts, so it’s kind of like a slow-moving stop-motion animation, if you can imagine that when you look at these.
Sean’s an artist himself, so he had a hand in a lot of these drawings too. I asked him to e-mail jpegs of the stills for me to post them here. I don’t think this is the final text on the credits, though, and these aren’t all of the stills since I didn’t want to crap up all of the space on this blog. The short’s currently running at festivals all over, while Sean’s working on a more ambitious project.


If grandparents, long-defunct hardcore bands, hip-cat twelve-year olds, sports bars and pornstars can have Myspace pages, why can’t we? We here at MH HQ West spent a bit too much time this afternoon uploading pics, writing cutesy tootsie blurbs and thinking of all our friends’ bands. So c’mon, social network the crap outta us at our exciting myspace page. Accept no imitations.