Monthly Archives: January 2010

Letter To Meathaus: Pellet

Kyle Pellet sent this little card with the note, “MEATHAUS! FUCK YEA! ♥ Pellet”.

Thanks, Pellet!

Letter To Meathaus: Ayo

Darryl Ayo B. sent this cool card to Meathaus recently. Excerpt from the note: “…Please keep up the excellent work! The Meatlog is a wonderful resource.”

And with that, we are happy to launch a new category on the Meatlog, Letters. Through the wonders of BLOG, every new real letter we receive through the real mail will be scanned and posted on the front page, after which it will always be accessible on the letters page (category). We’ll post the art and type up the letter and respond to anything in it that seems appropriate to. And we’ll link to the letter’s author’s website. Write some letters to Meathaus. The address is on the contact page.

Jeroen De Pauw Drawings

Jeroen De Pauw gets drunk and listens to filthy metal, or at least that is the title of one of his drawings in his Flickr collection. Then he draws dragons, melty apocalyptic cannibal knights and karaoke zombie punks doing their thing. Via Jackson’s weird-ass tumblr curation skills.

Brandon Dropping Comics Bombs

Brandon has taken up a five day residency at Whitechapel, Warren Ellis’s forum for his free online comic FreakAngels. He has been answering all sorts of questions in a sort of pumped up version of his uniformly awesome livejournal blog, which I’ve linked up too many times to review here. Click over for more of Brandon’s weird photoshop pictures, his influences and theories on how to always stay excited about drawing the comics.

Julia Pott Illustration

Julia Pott is a connoisseur of sweaters, awkward moments with exs, in-laws and co-workers, and animals in sweaters having awkward moments with exs, in-laws and co-workers. She is also actively soliciting for your awkward moments so that she might animate them. See her blog and Flickr stream.

Jeff Antebi Haiti Photography

Jeff Antebi, founder of Waxploitation recently changed gears and began traveling to troubled places around the world to document what he sees. He was in Haiti in 2009. His photos of children living on top of what seems like an endless garbage dump are from before the earthquake of several days ago. Here is an email that Jeff sent out this morning:

Haiti is on my mind and I am very sad tonight.

I was in Port-au-Prince twice in 2009.

When I arrived the first time, and walked around the streets, the people stared at me cold. It was at first glance, an unwelcoming place.

My dear friend Jean-Marc de Matteis, who I hope is alive and well tonight, smirked a bit and said “The thing with Haitian people is that they’ve been through a lot. It’s a hard life here and people wear it on their faces. But that’s not the true nature of Haitian people. Watch what happens if you make eye contact and simply say ‘bon jour’ to someone”

I did. 100% of the time I got a smile. Sometimes a quick flash of a smile and back to a glare, but the glare became an easier glare. Sometimes they’d smile a massive smile and say ‘bon jour’ back. I can’t stress enough the amazing feeling of getting a smile 100 times out of 100 attempts. The country, in its entirety, was a welcoming place.

I don’t exaggerate when I tell you I said ‘bon jour’ to almost everyone I made eye contact with. I went out of my way to make eye contact. Compulsively so. And Port-au-Prince is a CROWDED place. That’s A LOT of people to say ‘hello’ to. My friend and interpreter Alain Charles, who tonight I cannot find and it’s taking me enormous restraint to not cry, took notice and would often laugh whenever I said ‘bon jour’ with an almost exaggerated smile. To him, it seemed like I was kind of insane. Like I would if he tried it in LA or NYC. But I loved doing it.

Even then, before the earthquake, Port-au-Prince was an unbelievable mess. Practically no infrastructure worth talking about. In many (most?) parts of the city, there was no electricity. So as night began to fall, whole swaths of the capital became deserted for a lack of light and security. Bonfires the only way to move about without getting lost. Traveling as moths to flames.

One night, after a marketplace turned from lively to utterly apocalyptic, I decided to walk very far into the depths of the darkest, dangerous part of town rather than flee. Deeper than Alain was comfortable going, and he had lived in the city all his life. But I kept saying to him “one more bonfire, that one in the distance, then we’ll head back”.

In retrospect, it was an almost suicidal mission. It’s hard to believe I made it in as far as I did and was able to return to a safer quarter. But it’s important to say that what kept me from being fearful was my continuing to make eye contact. No one wanted to say hello and I didn’t speak either. And even though I was conspicuous, carrying two cameras out in the open, no one bothered me. I would look at them, they would look at me. Over the course of the evening, this happened maybe a hundred times. They were ghosts to me, and I was an apparition to them. I passed through a nightmarish, spectral landscape alive and they allowed me to, unharmed.

I spent a lot of time in Cite Soleil, considered by most to be the worst slum in the Western Hemisphere. The Wikipedia entry for Cite Soleil states “Armed gangs roam the streets. Murder, rape, kidnapping, looting, and shootings are common as every few blocks is controlled by one of more than 30 armed factions”.

The conditions in Cite Soleil are unimaginable, almost like a village built on top of a huge garbage heap. But one of the most striking features of this spot are the number of children. It was impossible to move without being surrounded by kids. Most didn’t have shoes, sharing the ground with pigs, waste and excrement. But they were sort of a happy bunch, considering it all. Holding up half melted robot toys or playing cards. Smiling and playing around with laughter and curiosity.

On the other hand, they were starving. Some looked at me and ran a finger across their throats. Hard to express the feeling you get when a child indicates they are going to die. Keep that image in your head. Which is why I can barely contain my sadness. These little ones had almost nothing going for them but for a sense of humor. Barely a chance for literacy, let alone any kind of education. An astoundingly high probability of falling ill and dying from bad water, let alone a job when they got older. More likely HIV/AIDS or human trafficking.

I can’t watch the news on television or listen to the radio. I can’t look at websites. I’ve been there and now I picture it in my head after a 7-point earthquake.

Nothing going for them and now the earthquake. I am praying for the best for them. They deserve it.

Please donate to both Oxfam and Doctors Without Borders and donate generously. ASAP. I promise, it will make a huge impact. Haiti is ONLY a little more than an hour from MIAMI. It’s very easy to get help there.

Attached a are few photos.

And I’ve left a number of photos from Haiti as a Flickr set to make things easy to link to.

I can be followed at www.twitter.com/jeffantebi. @jeffantebi

I’m sorry if this has terrible grammar, spelling and punctuation. I’m trying to just send this out with a bit of urgency.

Jeff

Aleksandra Waliszewska Paintings

Aleksandra Waliszewska paintings are a hellish soup of girls in distress being eaten by worms or each other, with a fair helping of satanic goats, guts, and bestial lust, all stirred in with a pinch of dreary feelings, suicidal tendencies and a sprinkling of domestic abuse to taste. Enjoy!

Manuel León Moreno Paintings

Manuel León Moreno has painted hundreds of pieces and they are here. Fantastic images of colorful abstract scenes, painted sketches and a lot of these creepy monk guys in pointy hats doing religious things and begging penance rendered in bold inks and ink washes.

Andrea D’Aquino Art

Andrea D’Aquino creates collages and prints and they are here on her website and Flickr pages.

BOOOOOOOM Bloggins

Sweet little post over on the art blog powerhouse that is the BOOOOOOOM about our new sketchbook anthology GO FOR THE GOLD! 3. Because of how Jeff designed his BOOOOOOOM logo with the square formation, I was able to visually pick up quickly the correct amount of “O”s to add in every BOOOOOOOM I type. Two “O”s then three “O”s then two more. With FFFFound! on the other hand I’ve always found myself just mashing in a bunch of “F”s into the browser then punching the search button, even though now looking at it it should be easy to remember there are four “F”s. I believe that it was Jeff’s ridiculous amount of “O”s that forced me to really examine and count them in the first place.